Nocturne in E Flat Major
The song Nocturne in E Flat Major was composed by Frederic Chopins in the year 1833 and after that dedicated to Camilla Pleyel who was a teacher and a French pianist. The song is seen to be one of the best nocturnes as it comprises of unique melodic tendencies and a great deal of emotional content. Listening to the song Nocturne in E Flat Major creates a melancholy feeling through some ways in all the four measures. The composer of the piece is trying to stimulate a gloomy and tender mood. The emotions established by the song continue to motion V/ii that starts in measure 2. The decrescendo and the crescendo characters being played simultaneously give the impression of a protracted gesture of inhale-exhale that ascertains a full expressive reassurance. Towards the close of measure 33, demonstrative ornamentations are slowly fractured and thereby gracefully moving from the static chromatic criterion into the stepwise shift to the tonic in measure 34.
Jeanie with the Light Brown Hair
The piece, Jeanie with the light brown hair is one of the top American folk-songs that were created by Stephen Forster. As such, the piece is made up of simple harmonies, simple melodies and has contained a great deal of repetition. The song consists two-bar phrases that call for simplicity from the person performing it. This piece of music generates a sense of calmness and a mood of relaxation to the person who is listening to it. As such it becomes straightforward to listen to the music because each phrase of the piece is simple and short that does not go past four measures in length. Also, the notes of the singer appear to rhyme with the lyrics of the natural speech inflection.
In WunderschonenMonat Mai' (Schumann)
The piece was composed by both Heinrich Hein and Robert Schumann in 1840. The song writers main technique for making the song to sound excellent is the inner voice. The song illustrates the emotional unfolding of love that is very disappointed. The increasing impact of these reversals produces a cheerful adjustment from the apprehensive dominant of the F-sharp minor that fringed the introduction of the piece. As such, listening to the song In WunderschonenMonat Mai' makes the listener feel very relaxed. The composer of the music is trying to communicate a carefree mood in the piece. Listening to the song lifts me from a low spirit to a high one especially in the introduction of the song.
Berlioz's Symphonie fantastique
The composer of the song is Hector Berlioz who was born in 1803. His father allowed him to follow his passion for music by his mother decided to disown him. In his song, Hector Berlioz portrays his fixation and dreams, fits of rage and minutes of compassion, and imaginations of suicide and murder, despair and joy. As such, the song puts the person listening to it into an alternate mood of both ecstasy and excitement. Flute and violins hover flirtatiously via the appealing melody. Terrifying upheavals alternate with seconds of prime tenderness. The piece whips into a craze as it bears the spirit of the Artist to his frustration. As the song is being played, my heart feels full of moments of happiness, but there are other times when I feel low emotions.
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