Production and Stylistic Analysis on Avatar Film - Paper Example

Avatar a 2009 film, it is a written and directed science fiction movie by James Cameron. The film was made by Lightstorm Entertainment set in the mid-22nd century. It was conceived by Cameron 15years ago, and its production has been there for more than four and half years. The film is made from a groundbreaking kind of technology thus making it one of the most expensive ever made movies. The film has starring like Sam Worthington as the alien creatures. The film is also made by the use of computer-generated animations and virtual cameras, the reason to that being to bring out the story of the invading humans and paint a clear picture of how it is like to a viewer. Avatar being made from the 3D photography creates a visual impact making it considered a benchmark movie making it distracting and creates in focus to those viewing it.

The film Avatar is not only a sensational entertainment but also has decisions made by the director while filming that were memorable. For instance, the bringing out of the anti-war message that makes recognition of war heartbreak and horror equating it to RDAs private security force to the American soldiers. It is from such decisions by the director from the choice of style that lets out the actual conflict against nations or mankind thus provides the background or plot of the action film Avatar. More so, a decision from Cameron that Avatar earlier then was much of a political movie. He noted that much reflection was that we lived through war. The memorable decision is the fact that he pointed out the need of Americans having the moral role to understanding the implication of their country military campaigns.

The fourth scene in Avatar film of Graces Body is seen as the struggle heats up between NaVi and humans that is when Graces Avatar gets hurt. The emotional effect that the film brings out is when the Na'Vi gathers in attempt to have Grace saved thus have her Avatar body completely transferred from her consciousness. Additionally, on the thematic effect of this scene is that all over spirituality is seen. For example, when Jake was to face Mo'at. Also, the scene has other spiritual counterparts like the large trees that to Na'Vi all seemed very scared. The trees are portrayed in the film to symbolize Na'Vi's connection to Eywa their God. The trees in the film were presumed as to reach the sky creating towers to reach their god. The other spiritual counterpart to bringing out the thematic effect of spirituality is the presence of angels. The scene depicts spirituality in the fact that the seeds of Eywa were regarded as angels seen to approach Jake.

Narrative and genre analysis

Avatar fits in the category of Classic Hollywood Narrative because from the filmmaking style it designates a narrative and development of visuals. Avatar makes use of the 3D technology and much computer effects to bring out the plot of the disable US marine with a sent mission to Pandora. The plot makes it a classical Hollywood narrative from the fact that it depicts the 3Act Structure. The Structure initially begins with the Routine life that introduces the problem; the next phase goes to the problem solving where the characters in Avatar film are seen logically fixing a problem through creation of a story. Thereafter the plot goes on to resolve the problem, and this phase of the film then shows the end of the problem where later life returns to normal.

Avatar film carries a hybrid genre from the fact that it can fall into four different genres of fantasy, adventure, action and science fiction. Despite the blend in of several movie genres in Avatar the issue still stands out the reason Jake had to betray his own race if at all as the starring he was implied as the hero. Cameron the director however blended in the action genre however the film went against the typical expectations of what is required for an action movie. Alternatively, Avatar did also bring out the hybrid genre allowing the director to take chances and utilize technology making avatar film a game changer.

The film Avatar does meet the conventions and iconography of Science fiction genre. Following the issues rose in the original concept that relates to troubles in the modern-day environment. Avatar follows on depicting the feature of reflecting on current political, social issues to environmental. It also meets the reliance on filming it at high-quality CGI a feature most present in science-fiction movies and the technology is much advanced. For instance, the technology that moves Jakes mind as well as vision towards separating a biological body. It also plays the role of making unreal seem as though its real. For instance, the Pandora entire world being completely CGI with also the characters recreated via motion-capture animation. The Avatar film also meets the conventions of fantasy following its production design of much elegant and less metallic design running all through the movie. From an example, the fighting metallic body that Colonel makes use of near end of war as it fights Neyteri and Jake. The Fantasy kind of genre comes in from the idea of the film bringing out the more humanistic side of unknown aliens. Avatar film happens to be a science fiction mixed genre combined with social issues in the contemporary day helping it meet the conventions of fantasy, adventure, science fiction and also action.

Cultural analysis

The film gives the opportunity to explain of the Sanskrit meaning of Avatar elucidating spiritual teachings from the film like lessons for people to use power within them as a way of sacred feminine and teachings on significance to listen to ancestors voices. The meaning passed from the film is of ideologies both religious and political. For religious meanings is from the thematic effect of spirituality brought about from the movie from insects, water, leaves, trees, seeds to leaves yet depicting the natural beauty of the world. On the contrary, the political meanings are how the director makes references to U.S imperialism to the shock and awe of Iraq wars campaigns to bring out the storyline.

The meaning from the film Avatar speaks of messages both social and political. In the social perceptive it speaks of the need for good relations in that it displays Na'Vi's relation with humans. The film also creates a cultural imperialism, and that had racists under toned thus saw race as fantasy. Politically the message spoken in the film was of imperialism. It explores the message of aggressive, dominant cultures that subjugates a native population in the thirst for riches and resources. Its message created a response for the Europeans what was termed as a chilling metaphor for American genocides.

There are a number of spiritual lessons a viewer can learn from the film Avatar. For instance, that nature exists, and nature is life, with conscious and interconnected. The film has Avatar descend in response to Mother Earths appeal and as such that intervened to affairs related to human. Another lesson from that is that Mother Earth never took sides but protects all balance of lives. The film also goes a long way in giving leadership lessons that a viewer would learn not only to seek to be understood but seek to understand others under him/her. From the film Jake Sully as the former paraplegic marine originally from the NaVi Avatar had most times sought to understand ways of NaVi prior their acceptance and understanding him as well so as he could have the capacity to mine the valuable minerals other than him getting evacuated.

The Characters from the film Avatar include Sam Worthington, Stephen Lang, Sigourney Weaver, Giovanni Ribisi, Dileep Rao, Joel David, Michelle Rodriguez and all cast as Humans. On the other hand, there is Zoe Saldana, C.C.H. Pounder represented as the spiritual leader, Wes Studi and Laz Alonso characterized as the NaVi Avatars. They are represented as wondrous with huge golden kind of eyes, with facial expressions of a range of emotions and swishing tails thus bringing out the adventure as well as fantasy conventions of the film.

Works cited

Cameron, James. "Avatar [film]." Los Angeles, CA: Twentieth Century Fox Film Corporation (2009).

Starosielski, Nicole. "Movements that are drawn: A history of environmental animation from The Lorax to FernGully to Avatar." International Communication Gazette 73.1-2 (2011): 145-163.