The Blue Hole film has adopted the classical Hollywood narrative film style. Under this movie technique, the events happening in the film are narrated chronologically. There is an element of conventional narrative which constitutes of the beginning, middle, and end which is referred to as a three act film structure. The film starts with a couple discussing over legend that asserts that there is a place in the forest with eerie pond, near the cabin, where one can bring back the loved ones by making a human sacrifice. This forms the basis of this horror storyline.
As a horror story, Blue Hole incorporates film techniques such as false scares that aim at causing anxiety to the audience. When a young lady in the movie falls near the pond, scary sounds are made. She claims that she is being pulled by a strange object. Her boyfriend ignores her, but she starts being pulled into the pond. This acts as a set-up for the narrative: whoever brings the sacrifice, will be able to return his/her loved ones into life. Even if it is a short film, different turning points enable the story to take a different course. For instance, there are series of killings in the movie as particular people murder each other with the aim of providing a human sacrifice to the pond to bring back their loved ones from death.
In the final part of the movie, the woman murders another lady and claims that she is doing that because the sacrifice is needed. This is the resolution of the film where loose ends of the Blue Hole film are tied up. By following this particular chronology of events indicates that the film adopted the classic Hollywood, invisible cut continuity style.
Frightening and scary tones are captured in this film. This is enhanced by the use of backgrounds sounds and actions that invoke fear to the audience.
In the Blue Hole film, there is an aspect of subjective exploration and inclusion of psychology which is bolstered by the use of the narrative styles that favor a particular character. It is apparent that whoever presents a human sacrifice in the eerie pond, situated in the woods can bring back to life his/her beloved. The experiences of the female character who kills another woman in the final part of the film highlight the element of psychological subjectivity. After the series of killings to make sacrifices, it is the last female character is favored. According to the movie storyline, it is implied that the sacrifice she makes to the eerie pond will bring back her boyfriend.
The dominant colors in this film are natural colors which include green, gray and blue. The film has used the complementary color scheme as its color palette. These colors are representing the events that are happening in the woods and the eerie pond. The colors are significant in enhancing the mood and setting of the film.
The camera should be moved a lot to enable capturing of the events that can elicit an element of horror and suspense. The emphasis should also be placed on particular shot size and camera angle to facilitate the making of accurate footages that enhance the film narrative styles.
Saw (2003 film)
Saw is a horror short film.
The film Saw has adopted various narrative techniques which can be demonstrated via realism and surrealism spectrums. This involves the adoption of a classic Hollywood and invisible cut continuity style of narration. It is apparent that this short movie has applied a three act film structure. The narrative begins with David in an interrogation room, recounting the way he was kidnapped and taken in a secluded, dark place. The narration by David is believable since they invoke emotions and perceptions from the audience that are close to the truth than false. While in the room where he is detained, David is screaming for help. He is trying to overcome the possibility of being killed by unknown kidnappers. This is an element of film realism since the events related with normal aspects of human life. For instance, just like it is the case with people to be anxious and frightened when faced with dangers, Davids act of screaming is an indication that he is not ready to die. He is after saving his life.
The narrative styles applied in the film Saw can also fall on the surrealist spectrum. There are some scenes in this movie which are elements of juxtapositions and regular use of shocking images. For example, in the room that David is locked, there is a small television from which a frightening puppet appears and talk to him. After cutting the stomach of the person lying next to him, David finds the key that helps him unlock the beartrap, which is hooked in his jaws. The appearance of the puppet on a tricycle is itself a form of surrealism, which is often applicable in the classic Hollywood and invisible cut continuity style of narration.
The film captures the anger and frightening tones to describe the experiences that David undergoes through while detained in a dark room. The horrific events characterizing Davids pursuit of survival highlights the scary tone of the film that seeks to invoke fear and suspense in the audience. While being, interrogated, David also depicts an angry tone when he recounts his unexpected encounters.
There is an aspect of psychological subjectivity in the film Saw. Irrespective of his horrific experiences, the storyline favors David. He is portrayed to be courageous and persistent in his endeavors. After unblocking the beartrap, the puppet on the tricycle congratulates him on surviving the entire ordeal. Even if the police officer performing interrogations tries to discredit his accomplishments, it is apparent that the narrative positively perceives David's actions.
The dominant colors in the film Saw are black and white, supplemented by darkness and flashes, especially in the room that David is detained. Such combinations of colors lead to the formation of the black and white color schemes and color palettes. The use of these particular colors played a significant role in setting the mood and the tone of the film.
Events in this movie do not contain numerous movements of the characters but focus on capturing the interrogation and flashback techniques. It is therefore imperative to utilize stable camera work and mise en scene camera strategies to enable filming the events surrounding kidnaping and interrogation of David.
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