Essay on Tumirids Architecture and Art

Published: 2021-06-22
530 words
2 pages
5 min to read
Middlebury College
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The Tumirids architecture and art are dated 14th to 16th century, and it was mostly based in the Asian continent parts.

The Tumirids art and architectural design were mostly based in the current Iran, Iraq, Russia, and India.

Tumirids ventured into many countries to diverse their architectural design and art.

Different cultures, in other countries, had their way of art and design.

The Tumirids took advantage of that by importing artists.

Tumirids had a center where they would appreciate art in their capital named Samarqand. It was a place where the interested artist would gather work for the Tumirids.

Most of the final arts were dedicated to the princes palace.

The Persians were majorly involved in the Tumirids design as they played a role in drawing and construction of the double-domes. They also constructed the arch in finished structures and buildings of the Tumirids.

The Tumirids also involved women in their art and they involved in painting and furnishing. The Iranian women were majorly based on surface decorations. Women who passion in art were further trained in the art and architectural skills.

Metal work and jade gravings were one of the Tumirids styles of showing their uniqueness in art and designs concepts. These jades were made by killed Tumirids designers most of them were under the supervision of their Timur.

Architecture by Tumirids was unique due to their style. They majored in doom shape structure. These structures were found commonly on Mosques, Madrassa, and khangas that were convert places. Converts entailed artists from other parts of the middle east that were working for the Tumirids prince.

The Tumirids structural designs were adapted later in diverse part of the world especially in the Middle East countries. The masters builders were mainly involved in architectural drawing, and the junior workers did other construction duties.

Mathematical abilities by the Tumirids were not in question. They included arches, vaults, and domes in their architectural designs and planned drawing. It led to the production of fine and unique structures during their regime.

Tumirids princes advocated so much for architectural designs regarding interior decorations of palaces, mosques, and madrasas. They majored in tile decors and fine art painting in these symbolic building.

Their construction mainly consisted of cylindrical pillars and high walls. The exterior was painted in bright different colors depending on the nature and symbolic meaning of the building. Mosques were painted differently from palaces and shrines.

Fine art was among the social and religious activity of the Tumirids. Portraits of fine drawings were dedicated to the prince for interior decor of the palaces. Mosques were painted with religious painting on the fine furnished walls.

Holy doctrines, the Quran were decorated on the exterior by the Tumirids. They practiced calligraphy thus writing the Quran in a more artistic way making it more appealing.

Luxurious art was part of the Tumir architectural designs. They engraved precious stones with the name of their sultan and prominent people. Tombstones were curved accordingly to the prince instruction for burial sites. Chest and safes were made of wood and coated with metals.

Doors and windows made by the Tumir were exteriorly decorated and finely polished with metal and paints.


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