MEDIUM: Mona Lisa painting rests on oil and cottonwood panel as the medium which probably makes it popular among other paintings. The popularity of Mona Lisa painting shows warping on an oak frame which has stood the test of time. Even though it was painted six centuries ago, and due to the medium used, Mona Lisa painting has survived various vandalism attempts which are aimed at its destruction. However, the style and painting technique distinguishes Mona Lisa painting from others, therefore, making it unique.
COLOR: Various colors are used to paint Mona Lisa. Leonardo originally applied a strong red pigment on the sleeves of the painting. The dress displays deep forest green elaborately brocades in contrast. The outstanding hair and eyes of Mona Lisa painting present bright chestnut hues with golden heights. The blue-sky pigment presents the color in the background of the Mona Lisa painting. The blue mountains recede backwards therefore, maintaining the rule of aerial perspective.
COMPOSITION ELEMENT: In the Mona Lisa painting, the face is the focal point since there exists balance in the portrait. The line manifests the symmetrical nature of the face at the center of the face shows that the picture is not a position in the center of the canvas thus it lies little to the left. Regarding colors, the background displays horizontal bands changing in rhythm although gentle with varied width thereby presenting visual interest. The perspective effect on the background is reinforced by the diminishing width of the ray band. In the background is the layer of balance in the light and darkness. The diagonals created by these layers direct an eye to the distance. There is quite a similarity in the colors enhancing balancing effect.
TYPE AND PURPOSE: The Mona Lisa painting is a Christian type that portrays the Roman Catholicism piece of art conveying various information. The architect Leonard da Vinci, in his Mona Lisa art, portrays a woman who exhibits different character-traits and emotions. Mona Lisa seems to be a saint or a higher being further still, a closer look at the painting gives an account of an insecure young woman capturing every corner of human character, both good and bad.
MOOD: The Leonardo da Vincis painting of Mona Lisa piece of art is a happy smiling young woman and the atmosphere displayed in the painting is a jovial but change as one change the angle of view. The background of the portrait also is an indication of a peaceful environment. The painting shoes a comfortable young woman peacefully staring at something with ease. In his mathematical moods he was ready to argue that reality was an inflexible structure of laws and harmonies and that painting compels the mind of a painter to transform itself into the minds of nature itself and to translate between nature and art, setting out, with nature, the causes of nature's phenomena regulated by nature's laws. However, the atmosphere changes to a remorseful mood with a continuous and different angle of view in painting. The unconscious person of Mona Lisa spells out the calm stature of the portrait.
PROBABLE PATRON: The Mona Lisa is a portrait of the roman catholic religion in Rome. The paint was intended to the high priest or the members of the Catholic in roman. The picture could most probably be found in Vatican City the headquarter of the Catholic church. Since the portrait is a resemblance to the Christin mother Mary and it is associated with the roman catholic, it could be meant to pass information the members of Catholicism faith.
SIZE: According to eyeball approximation, the dimension of the portrait is of a medium size. However, the actual dimension of the portrait in the canvas Mona Lisa piece of art approximately measures 77 x 53 centimeter while regarding inches; it measures 30 x 21. Size impacts the value judgment and may hinder or expose other traits that are hidden to the viewer depending on the size at which the architect designed the portrait. The interpretation would have slightly changed through all the displayed traits still exist.
IDEOLOGY: the portrait displays a social context. The picture displays a young woman sited on a chair and resting her hands on the armchair. The social set up in the portrait is a middle-class individual. The portrait in the painting showing a religious ideology of truth. The roman catholic emulates the true peaceful nature of the Mona Lisa painting. The artist achieved conveyance of the ideology through the exact display of calm and peaceful nature by identifying the best appealing characteristics of the portrait and the background representation.
NARRATIVE: the image narrates the sequence of events in the early and late lives of the Religious characteristic of the Italians a closer look of the portrait presents successive events as the smile in the face tends to convey reverence and speculation. In contrary, the fading images of Mona Lisa shows the current unrivalled level of fame and the unfortunate events that succeed to befall the fate of the portrait. Therefore, the sfumato technique is the method employed by the artist in the Mona Lisa painting. As the object comes closer to the viewer, the intensity of visual impression increases
BRUSH STROKE/ MEDIUM HANDLING: the shadow projection in terms of painting have their own colors going by the nature of genuine source of light. The drawing contains subtle reflection of light emanating from the surrounding objects thus the admirable appearance of the portrait. The fascinations and techniques applied by Leonardo make it more translucent grazes. The paint handling seems indispensable of the fundamental elements. In order to achieve chromatic and tonal composition, the artist used oil as the medium of attraction in the design and drawing of the Mona Lisa painting. While drawing this image, the artist tended to use brushes of various sizes while sparingly using the material colors to paint the image. The artist was conscious of control while painting the drawing eliminating any form of chaos during painting. Therefore, the technique used in the Mona Lisa painting is the linear and loose method for the desired outcome.
LIGHT: the choice of light is a faint illumination. Leonardo had a favorable liking of near twilight type of lighting. This can be seen in the responsiveness of Mona Lisa to as the changes of light is experienced thus its uniqueness. When subjected to light-adapted vision, the portrait suffers little unlike when it is dark adaptation where it gains little vision. Nonetheless, the degree of change in the Mona Lisa portrait in the tonal range is a resemblance of the natural object occurrence.
TIME PERIOD: the portrait of Mona Lisa is a standard of future portraits. The standard composition gives an application of the future paints. The sfumato and the harmony achieved is a milestone precedence that guide the future portraits. The comic idea of the artist connects humanity and nature thus the maintain endures the test of time. The portrait is relevant during the time of drawing. The culture of the time period displayed by the portrait shows the iconic status of a woman which was mostly mocked by boychild. However, the painting relates to the others in that they obey the conventional rule of aerial photography.
SPATIAL DEPTH DEPICTED: the representation of the objects is two dimensional. The picture changes reaction of the viewer since it displays a three-dimensional view. The artist has since achieved this by controlling monocular depth cues, magnitude rating and coherence of depth. The monocular depth cue has been achieved by Leonardo in his work of Mono Lisa. The occlusion feature enhances transparency in such areas where there are expectations of occlusion
TEXTURE: the oil renaissance manner implies smooth surface the artist has succeeded in displaying the texture of the painting. For instance, the painting conveys a smooth texture. However, on a close look, the painting resembles a rough texture in the work of Leonardo
PROPORTIONS: Mona Lisa painting has been displayed in consideration to the golden ratio due to its aesthetic pleasing nature. The golden ratio is achieved by drawing a rectangle around the face of the portrait various body parts of the portrait conforms to the required proportion in the matters of accurate proportionality. There exist mathematic unique numbers which clearly demonstrate the true proportions in Mona Lisa drawing. Nonetheless, when viewed closely, the portrait shows some parts outstandingly larger than the others. The main purpose of this was to enhance clear distinction during visualization
INFLUENCE: The work of Leonardo da Vinci was influenced by Andrea del Verrocchio his uncle who had a hand in nature and opportunity to rear him during his formative years. Having recognized his potential as an artist, his father sent him to apprentice with sculptor and painter Andrea del Verrocchio of Florence who trained him for six years until he became an independent master.Among several works that I have studies, I pick Mona Lisa as the most interesting work.it appeals to the readers and offers in-depth knowledge and techniques that are conventionally requires in such pieces of arts. Leonardo da Vincis work presents an intensive insight and effective way of doing an art that would stand the test of time irrespective of the external and internal threats subjected to the work. In contrary, there is no work that I have ever disliked in the art of design, drawing and painting. All art of works that I have studies are informational and relevant educational values.
Mona Lisa piece of art is educational piece that is in the lips of almost every individual in the museum. The educational sections of the art are quite relative since the piece has gained popularity and recommendation for the students eyeing to study art and architecture. The museum attendants including the guards have positive opinion on the art of Mona Lisa painting.
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